WiP [Work in Progress]

Thoughts and ramblings of a Filipino author

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Easy come, easy go

June 14, 2013 • Leave a Comment

* from Google Images

Any book that is easy to read must be equally easy to write.

A totally false assumption which has led to certain books – including children’s books; comedy and most genre fiction – being dismissed as being less important in literary terms than other kinds of fiction. Remember: what looks effortless rarely is. And those who make a task look hard are rarely doing it expertly.

~ Joanne Harris

Itong premise na ito yata ang madalas na pinagmumulan ng mga tinatawag na ‘inspirasyon’ ng mga nag-aasam maging isang nobelista. Malamang dahil madaling basahin ang nagustuhan nilang kwento, agad nilang naiisip na mabilis at madali din makagawa niyon.

Maling mali. At maraming aspeto sa pagiging isang manunulat at nobelista na sa pangkaraniwang mga mata at pangkaraniwang mambabasa ay masasabing napakalaking maling akala.

Here’s the link for more of Joanne Harris’ blog entry which pretty much addresses many of the ‘issues’ encountered between reader and writer. I found this shared on Twitter via @HuffPostBooks and @AdviceToWriters.

Quoted passage above is number 9. Also take note especially of numbers 8 and 10.

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Because I am sometimes rash…

June 13, 2013 • Leave a Comment

Image from https://www.facebook.com/IFeakingLoveScience

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The K-drama of my life

June 10, 2013 • Leave a Comment

The Sam Tae Keuk (from Google Images)

Or according to Google Translate… 내 인생의 드라마

I recently was on a vacation to Seoul and Busan, South Korea. One of our (me and my super girl friends) traditional annual out-of-town trips. This is their second visit, my first. There was a chance to join them the first time in October 2011 but back then, I would have just come from another vacation (Thailand and Cambodia) with another friend and the supply of moolah would would have been really close to nonexistent.

Plus, Korea wasn’t a place I would excitedly have included in my list of must visit places. Nope. Nah-uh. Not even when K-Pop and K-Drama and whatever K-Sensation started to sweep the globe. I just wasn’t interested. I became more disinterested, to be honest, because of my plentiful friends who were so into K-stuff and soooo smitten with the cuties (like I said, I never really thought they were not handsome. They’re just too pretty to be my type), I just felt they’re all gushing enough for the whole female population, I didn’t need to contribute. And me being me, I have this stubbornness to depart and decline from things and situations especially when I feel I’m being … Ehm… convinced too much, whether outright or through very subtle means, to like or go with anything.

So, that was the case two years ago. Although I knew I wouldn’t really be against going to Korea for too long. I like traveling. I like new places. And, well, Queng, being my bff, knew how to turn me around. She focused more on highlighting how the place is as Korea. What I’d like about the destination as it was. Not as a place where all the K-pop and K-drama came from.

Then it was September 2012. I got a call early in the morning, asking me if I was okay with going this time. I said yes. Although from the time the tickets were booked until we were in the process of applying for our visas, there were moments when I still felt unenthusiastic about the trip, I looked forward to being with my friends, nevertheless. And I knew we were going to have fun.

We did. So much.

Korea wasn’t a destination that actually blew me away as a first time visitor. But bits and pieces here and there managed to make me go ‘wow’ enough to want to go back. For all the places I (we) wasn’t able to discover. For all the experiences I (we) missed because of the rains. For all the souvenir and gift items I didn’t buy.

Yes, I left those out maybe because I knew I would go back. It was spring, almost summer when we were there. I’d like to see it during winter, fall, the beginning of spring with the cherry blossoms, full blast of summer.

Kamsahamnida! ‘Til next time.

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Tips for Aspiring Novelists Ep. 008 & 009

June 6, 2013 • Leave a Comment

*  Masarap ang chopsuey. Lalo na kung maraming klase ng gulay, tsaka quail eggs at atay. Pero hindi masayang magbasa ng chopsuey.

* image from Google images

*  A prolific imagination does not guarantee you can be a good novelist. You also need that ability to translate the images in your head into picturesque and emotional prose that will hook your readers just as you are hooked by the stories you make up.

 

Lemme explain further…

Aspiring writers have this … uhm… shall we say, disorder. They think (and say)

I can be a good writer. My family and friends tell me I have a vivid imagination.

Yes, we all get that. I was also told by my dad I could be a good lawyer because, according to him, I liked to argue and I was (am) really articulate. But there’s more to being a lawyer than arguing and articulating just as there’s more to being a novelist than having a prolific imagination.

Writing needs talent and skill, I maintain. For some, their talent and skills may be immediately and greatly apparent. With others, they need to be trained to sharpen what they can bring out. But well, if you’ve got nothing, then you’ve got nothing.

So if you do have something, you have to remember, learn first the ropes. Learn the basics. Focus on simple things before you move on to bigger stuff. Unless you have a big mouth, you can’t put the whole cake in there. Try bite-sized pieces first. Practice. Practice. Practice. You can’t improve by constantly asking what to do. Because what you should do is write.

And what I mean when I make a comparison between chopsuey and a novel is the plot going haywire. Anything goes. This isn’t your first and last piece of work. Don’t put everything in there all at once. It shows how shallow a grasp you have of your plot. That’s not good.

Again, practice makes perfect. Practice brings out a good read.

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the trigger word is…

June 3, 2013 • Leave a Comment

okay. let me first say that i am writing this entry not to aggravate anything nor antagonize anyone. this is simply to share my two cents, so to speak. i’ve just been reading posts on FB and i came up with some thoughts of my own triggered by, but not all in connection with, said post/s. i’m sure you will agree with me, it is but natural for anyone to form opinions based on something that he/she is more or less a part of. like novel-writing.

here goes.

1) on emotions and passion

i’m emotional. a television advertisement of a consumer product using touching scenes moves me to tears. winning moments at competitions are tearjerkers for me. when i read a novel, though i might not cry over the sad parts, there’s always this ache in the middle of my chest.

yep. emotera am i.

i’d also like to think i’m passionate. i don’t do things for the heck of it. i have to really really like something to be able to do it and when i’m in, i’m in it heart and soul. this is a characteristic i take and employ with me in my career as a novelist. i simply can’t not involve my emotions. this is the reason why i am not able to just churn novel after novel. i need to feel. i need to emote. i need to be one with my characters and with my plot. otherwise, all becomes just mechanical with me. i don’t want mechanical prose. i want literature. i may not evoke a response from readers as intense as my own feelings while i was writing the story, but i know, in my heart, i am genuinely passionate. and i hope the sincerity of my feelings is what is embedded in my prose.

key word: sincerity.

2) on soliciting advise

aspiring novelists love to ask for advise. i have said time and again that advise on writing can only teach the seeker so much. taking point 1 above as an example, some writers, apparently, believe there is absolutely nothing wrong with being dispassionate and dissociated from his/her characters and plot and it works for them. how do we know? fans/readers do feel the ‘kilig’ in the story. i, on the other end of the spectrum, as i previously mentioned, would have none of this. so how does a seeker of advise reconcile two thoughts now?

bottom line: just do your thing. and find out yourself what works for you.

on a different (yet somehow similar) train of thought, though, let me share that i, as a reader, can feel the absence of a writer’s emotional involvement in his/her work. how? i don’t feel with the prose. i know in my head there’s an emotion involved – excitement, fear, love, kilig – but they don’t reach my heart. again, that’s me.

3) on individualism, being different and our concept of uniqueness

it’s great to be different. sabi nga, you were not made to blend in. you were made to stand out. but then nothing’s wrong with being one with the crowd every now and then. just because you appreciate the same things everyone else does, you are labeled common. plain. stereotypical.

being unique and different doesn’t always mean opting for water when everyone else wants soda. if you like soda, why deny yourself that? but maybe, there could still be a uniqueness in you in the fact that you like drinking soda in a mug instead of a glass. with a slice of apple instead of a lemon. and at room temperature, instead of iced.

i think the concept of being unique lies in being able to embrace one’s person despite and in spite of one’s difference in appearance, tastes, characteristics, from the majority. being different is in seeing the beauty of black when everyone sees blue. and being happy with it and not bothered that others seem to think there is nothing beautiful in black.

a friend and i were discussing about this one time. and she said (and i agree), there’s nothing wrong with liking chocolate like everyone else does every now and then. it just shows you’re human like everyone else. one doesn’t need to insist on being unique just for the sake of being identified such. too much hard sell makes one appear fake. sometimes, sadly comes off as desperately seeking the existence of a truth that isn’t really there.

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